I was 12 years old when I first fell in love with the dreams spun by “classic” Hollywood: the myth of simpler times, the seductive glamour of men and women who often spoke in a quasi-British accent. ‘E.T. https://www.digitaltrends.com/movies/best-movies-on-netflix At the same time, it echoes what hasn’t changed, especially regarding sexual abuse. A review of Dogs, the six-part Netflix docuseries about the relationship between humans and their furry best friends. A pattern develops throughout the series: Someone white or white-passing makes an impassioned plea for a more powerful white person to take a chance on hiring a person of color for a role. Even if the smaller person is as strong as the bigger person, they still get knocked flying. I also kind of enjoyed it. (McDaniel later turns up, played by Queen Latifah, and recalls waiting to collect her “Gone With the Wind” Oscar in a segregated hotel.). Story lines that start out cynical suddenly turn syrupy. Ryan Murphy’s new period melodrama, debuting Friday on Netflix, uses real figures from the past to tell an invented history of 1940s Hollywood. But “Hollywood” asks: What if they weren’t? Lauren Feiner / CNBC: Netflix reports Q4 revenue of $6.64B vs. $6.63B est., up 21.5% YoY, and global streaming paid memberships of 203.7M, up 8.5M vs. 6.5M est. "Hollywood" is his second Netflix series for the streamer after "The Politician," which debuted in September. Hollywood review – Ryan Murphy’s Netflix epic is a hollow ode to showbiz. The final episode takes a bold and bonkers leap in its rewrite of history, making “Meg” not only a box office hit but also an Oscars sensation — Avis, Camille and others, including Anna May Wong (cast in a supporting role in “Meg”), all take home awards. Netflix just released a new 10-episode series that gives viewers a peek behind the scenes of what it really takes to be a professional ballet dancer. Apr 30, 2020 - Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. Don’t miss it. This is how Jack (David Corenswet), a war veteran who wants to be a screen star, ends up at the Golden Tip in Netflix’s “Hollywood,” hustling to support his pregnant wife (Maude Apatow) while he chases his other hustle. I can only hope “Hollywood” suffers the same fate this offensive series bestowed on actual Hollywood. It serves up burnished postwar glamour while resurfacing the stories and bodies sacrificed to maintain the movies’ homogeneous sheen — the artists of color, the closeted executives, the overlooked women. Tiny by Sarah Midkiff Avis is worried about the inevitable backlash — that she could bankrupt the studio, that southern theaters will boycott a movie featuring a black actor in a nonsubservient role. We’d like to hear what you think about this or any of our articles. The problem: She’s also black, typecast in supporting roles as a comic-relief maid and constantly badgered to read her lines like Hattie McDaniel. Learn more about our use of cookies and information. 02:23. Intelligencer Top News Videos for once upon a time in hollywood review. The production takes on a forced sunny tone, as if the whole series had landed in Oz and the screen turned from black and white to color. Yet he’s one of the lucky ones: He’s white, straight and easy on the eyes. The Times was there as Ryan Murphy’s new Netflix series, “Hollywood,” filmed its rousing finale, set at the 1948 Oscars ceremony. Unbelievable review: The new Netflix miniseries, starring Toni Collette, Merritt Wever and Kaitlyn Dever is a uncomfortable, but ultimately necessary experience. Still, “Hollywood,” a splashy, star-studded Netflix mini-series set in the late 1940s and created by Ryan Murphy and Ian Brennan, is aimed squarely at my 12-year-old soul. The poster for “Meg,” the fictional film being produced in the Netflix series “Hollywood.”, From left: Jeremy Pope as Archie Coleman, Jake Picking as Rock Hudson, Samara Weaving as Claire Wood, Laura Harrier as Camille Washington, Darren Criss as Raymond Ainsley and David Corenswet as Jack Castello in “Hollywood.”, Darren Criss as Raymond Ainsley, Laura Harrier as Camille Washington and Mira Sorvino as Jeanne Crandall in “Hollywood.”. It’s how we end up with, say, the North capitulating to the bruised egos of the side that lost the Civil War, or politicians catering to the religious right in the race to ratify the Equal Rights Amendment. Patti LuPone is a regal delight as a studio executive’s wife who hires Jack as a gigolo. “9-1-1” also reminds us that as bad as things are, they are still probably preferable to being literally thrown under a bus. Then “Hollywood” takes a turn, which it seems to rationalize, in a meta way, through the discussions over Archie’s script. And here’s our email: letters@nytimes.com. Everybody wants to go to Dreamland, right? the Extra -Terrestrial’ (1982) Seven years after “Jaws,” Steven Spielberg conquered the … Aisha Harris (@craftingmystyle) is a staff editor and writer in the Opinion section, where she covers culture and society. Those films were borne of hard-won fights for equality. Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite. A part of me can’t ignore what it feels like to see this Technicolor spectacle populated by these faces and experiences, to see the 1940s depicted through a 2020 lens — browner, less sexually repressed, more women calling the shots. As Henry Willson — a real-life gay agent and power player — Jim Parsons pays out gleeful barbs like a sarcastic slot machine. It would appear that no one at Netflix is willing to shape Ryan Murphy’s visions in the way they were at FX. ‘Hollywood’ Review: Ryan Murphy Polishes Up Tinseltown’s Golden Age With his latest Netflix offering, the prolific showrunner revisits 1940s L.A. — but with a modern, inclusive twist This six-part Netflix docuseries is such a good boy. It’s an unsettling account of the immigrant experience. Laura Harrier on Rewriting Hollywood in Netflix’s ‘Hollywood’ Set in the 1940s, the series envisions an alternate history for women of color in the movies. The Golden Tip is run by Ernie (Dylan McDermott, looking like the porn version of Ronald Colman), a former silent-film star with the most conspicuous cough since “La Bohême.” It employs Archie (Jeremy Pope), a gay black screenwriter trying to sell a script based on the suicide of the starlet Peg Entwistle, who leapt to her death from the H in the Hollywoodland sign. At the Golden Tip service station, somewhere in Los Angeles in the late 1940s, they pump more than gas. Action, romance, comedy, fantasy -- Hollywood movies have it all. ... Netflix's The Midnight Sky review. Diversity wins in this Ryan Murphy miniseries starring Jim Parsons, … Hollywood’s Hollywood, circa 1947, is a place where racial prejudice and homophobia run rampant and where fresh-faced young people arrive full … Laura Harrier and Darren Criss in a scene from “Hollywood,” which imagines a different, more inclusive history of the postwar movie business. Mank movie review: David Fincher’s new Netflix film -- a movie about movies -- is ... once upon a time in hollywood review nytimes: sharon tate: once upon a time in hollywood review new york times: margot robbie: 3 results. The seven gilded episodes of “Hollywood,” arriving Friday, introduce a broad cast of would-bes and coulda-beens — black, gay, female — in a vivid but unconvincing ensemble fantasy about who gets to go to Dreamland and who has to keep dreaming. A review of the six-part Netflix miniseries The Spy, about Mossad agent Eli Cohen, played by Sacha Baron Cohen, and also starring Hadar Ratzon Rotem, Yael Eitan, and Noah Emmerich. Netflix and third parties use cookies and similar technologies on this website to collect information about your browsing activities which we use to analyse your use of the website, to personalize our services and to customise our online advertisements. (The last episode is titled “A Hollywood Ending.”). Hollywood review: This big shiny mess shows Netflix has more money than time. That’s just the way things were. The Netflix miniseries Hollywood is … The streaming service’s movies feature Oscars winners and box office stars and are a reminder of its power in a Hollywood that has been irrevocably changed during the pandemic. It argues that the path of history was not set by intractable forces but might have been rerouted had a few of the right people done the right thing. This is the path Ryan Murphy walks in “Hollywood,” which he co-created with Ian Brennan, effectively Murphy’s debut as a Netflix contract player. Filed under hollywood , netflix , TV , 5/7/20 A blunter question also came to mind as I watched: What if a handful of straight (and ostensibly straight) white people were actually willing to risk their careers and reputations in order to create opportunities for the underrepresented? Our diverse collection delivers the best that Tinseltown has to offer. Close. 38.3k. Rating: 4/5. In real life, Miyoshi Umeki’s win for best supporting actress for the 1957 film “Sayonara” didn’t instantly lead to significantly better parts for her or her peers. Hooray! There is something to be said for the show’s fluffy confection of ahistoricism when it’s not indulging in myths of racial reconciliation and movies-as-changemakers. But Archie, Camille and Anna May also get to pursue their dreams and see their success open doors for others. Filed under hollywood , netflix , TV , 5/7/20 A staggering 22 years ago, the teen drama series Dawson’s Creek introduced many young Americans to the sun-dappled shores of the Carolinas. (Paget Brewster is a bawdy hoot as Tallulah Bankhead.) In this alternative universe, the fictional Ace Studios serves as the backdrop for a series of history-making acts of good will on the part of straight white people, resulting in the production of “Meg,” a feature film penned by a gay black man, starring a black actress and directed by a half-Filipino filmmaker, whose wild success solves racism in show business for good. Hollywood review – Ryan Murphy’s Netflix epic is a hollow ode to showbiz. Close. In Netflix’s ‘Hollywood,’ One Movie Fixes Racism. Let it be ignored. Within just a year, it kick-starts a wave of major films starring women and people of color and “racial protests across the country simply melt away,” according to a fictional newsreel. Sweet Magnolias review – low-stakes Netflix drama is a syrupy watch. It’s a noble thought and an audacious premise. Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. Dogs is 100% the show you expect. And yet I keep coming back to the happy endings of the “Hollywood” characters. Dylan McDermott, left with David Corenswet, plays Ernie West, a former silent-film star who runs a gigolo operation that doubles as a gas station. Drive up, tell the handsome attendant “I want to go to Dreamland,” and he’s yours, for a fee. Once Upon a Time in Hollywood review: A sprawling and indulgent ode to a Golden Age. Yes, the Avises of the world are able to pat themselves on the backs for doing the right thing. This is “Hollywood” at its most absorbing, nostalgic yet caustic. It’s meant to be inspiring, but it only makes the viewer more conscious of the contortions the series goes through to tie itself up in a neat bow. So it is in the series, which becomes a bit like Quentin Tarantino’s “Once Upon a Time … in Hollywood,” except that the wrong to be corrected is not the Manson murders but the generational killing of careers and silencing of voices. This Basque-language historical fable about a man who never stops growing took 10 awards at last weekend's Spanish Goya awards. Scrolling through the endless roster of films currently available on streaming networks is a daunting task, which is why we're here to highlight the very best movies on Netflix right now. The movie musical, shot up with Hollywood steroids under Murphy’s direction, strains to replicate the show’s opening exuberance. Characters develop consciences and talents they had shown little evidence of. Mank movie review: David Fincher’s new Netflix film -- a movie about movies -- is satirical but sweet, weary but vengeful. “Hollywood” joins a boomlet of other TV alt-histories, like HBO’s “The Plot Against America” (set in a fascist 1940s United States) and Apple TV Plus’s “For All Mankind” (which imagines how society and world history might have changed if a woman had set foot on the moon in 1969). Not to be missed. This lavish counter-history looked set to dive deep into the murk of Tinseltown. It doesn’t work here, not because of the fancifulness — you are allowed to take liberties in Dreamland — but because of the story and character strains that “Hollywood” visibly goes through to steer to its conclusion. Henry preys on his own clients, including Rock, and in a pointed bit of casting, Mira Sorvino, who spoke out against Harvey Weinstein, plays a once-starlet trapped in a sexual arrangement with a powerful producer. Netflix supports the Digital Advertising Alliance Principles. But with Tarantino’s mastery of craft, the film never once feels like a drag. The Golden Tip is based on an actual gas-station brothel operated by Scotty Bowers, one of several repurposings of history in the series. I write about the television business. The show’s spinoff, “9-1-1: Lone Star,” now starring Gina Torres and a tank, returns right after. The show’s spinoff, “9-1-1: Lone Star,” now starring Gina Torres and a tank, returns right after. That’s one way to describe it. We meet Anna May Wong (Michelle Krusiec), robbed of a potential Oscar role in “The Good Earth.” A bacchanal at George Cukor’s mansion shows gay Hollywood at play. Let it be ignored. In post-World War II Hollywood, an ambitious group of aspiring actors and filmmakers will do almost anything to make their showbiz dreams come true. 2020 MA 15+ 1 season Social Issue TV Dramas. Henry signs Rock Hudson (Jake Picking), portrayed as a dim-bulb sweetheart. Chadwick Boseman's Ma Rainey's Black Bottom review. His House movie review: Debutant director Remi Weekes’ Netflix film is more than just a haunted house story. (His 2019 Netflix … 1. The show’s appeals to the benevolent hearts and minds of “good” people are maddeningly naïve. Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. 3. 1 star. Hollywood. This lavish counter-history looked set to dive deep into the murk of … Ryan Murphy’s revisionist series is laughably self-satisfied and willfully naïve about complex real-world problems. /r/all. What if Hollywood legends like “Rock Hudson and Anna May Wong and Dorothy Dandridge had had happy endings?” is how the actor Jeremy Pope recalled the story being pitched to him in an interview with Elle magazine. Review: 'Hollywood' Is Ryan Murphy's Miniseries For Netflix Some wide-eyed, not-so-innocents try to make it in 1940's Hollywood. The bid to make Archie’s movie starts as a glitzy, funny, gimlet-eyed dissection of bigotry and power. Mr. Murphy and his co-creator Ian Brennan have described the series as a fantastical experiment in “What ifs?” around gender, race and sexuality. Watch trailers & learn more. Hollywood review: Intriguing Netflix miniseries dreams up alternate film history. (Lana Turner’s discovery story it is not — though Schwab’s drugstore is just a short hop away.). ; stock up 16%+ Open Links In New Tab Mobile Archives Site News It's like inertia doesn't exist for Hollywood fights anymore. The often brilliant TV creator, and one of the hardest working men in the business, has produced two series under his Netflix deal, the frustrating “The Politician,” and this week’s seven-part limited series that reimagines the Golden Age of Hollywood in a way that … 12:01 AM PST 1/13/2021 by John DeFore FACEBOOK TWITTER EMAIL ME Anthony Mackie plays an android Marine in Mikael Hafstrom's Netflix film. Created by Ian Brennan, Ryan Murphy. A mummified hand gradually emerges from the sluiced sand. A group of aspiring actors and filmmakers in post-World War II Hollywood try to make it big - no matter the cost. Hooray! “9-1-1” also reminds us that as bad as things are, they are still probably preferable to being literally thrown under a bus. Posted by 1 year ago. David Corenswet, Dylan McDermott, Maude Apatow, Jeremy Pope Daren Criss, Jim Parsons and more star in Ryan Murphy's Netflix series about people making it in post-WWII Hollywood. He finds a taker in Raymond (the Murphy regular Darren Criss), an idealistic young director who sees Archie’s script as a potential career-maker for his girlfriend, Camille (Laura Harrier). This plot mechanism reaches its eye-roll-y apex in the fourth episode, in which Patti LuPone’s Avis Amberg takes over as head of the studio after her husband suffers a heart attack. 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